Website Design · Dhaka

Graphic Design in Dhaka

A logo is the easy part. Most Dhaka brands fall apart everywhere the logo isn't.

Graphic design in Dhaka for founders who are tired of a Fiverr logo, a Canva post in three different fonts, and a menu card designed by the printer's cousin. One senior designer building one consistent visual system — logo, colours, type, social, packaging, the lot — so your brand looks the same on a Gulshan signboard as it does in a Facebook ad.

Brand identity work starts at 50,000 BDT. 50% advance via bKash, Nagad or bank, 50% on delivery. Design-approval guarantee — you sign off the direction before I produce the full set of files.

Benni KleinAbhishek SinghalMichael Husba+

Trusted by 50+ founders, agencies and teams across Bangladesh and beyond.

Trusted by teams I've built websites for

One designer, one consistent eye

Why your Dhaka brand looks different in every place it appears

Here is the problem I get hired to fix most often. A founder in Dhaka has a logo from one freelancer, Facebook covers from a second, a business card the printer 'adjusted', and an intern doing daily posts in Canva with whatever font was top of the list that day. Each piece is fine on its own. Put them side by side and it looks like four different companies. That is not a logo problem — it is a system problem, and it is exactly what proper graphic design in Dhaka is supposed to prevent.

I am RH Fardin, a website designer and developer who has spent roughly five years building visual identities and the sites they live on, working solo. No agency, no junior 'doing the social posts', no account manager. The person who picks your colour palette is the same person who draws your logo, sets your type scale, lays out your packaging and exports every file. That single-eye consistency is the whole point — it is why the work actually matches across a signboard, a delivery box, an Instagram grid and a printed brochure.

Most graphic design in Dhaka is sold in fragments: 1,500 taka for a logo here, 500 taka per post there. It is cheap because it is disconnected, and disconnected is precisely why it never makes you look established. What I sell instead is a system — a logo with its proper variations, a defined colour and type set, templates your team can reuse, and a short brand guide so the next person who touches your visuals does not undo the work. That is the difference between graphic design dhaka shops sell by the piece and an identity that compounds.

Pricing is honest and fixed. A core brand identity package starts at 50,000 BDT; the 90,000 BDT tier adds stationery, social templates and packaging artwork; the 1,50,000 BDT tier is a full brand system with a guideline document, multiple deliverable sets and Bangla/English lockups. Genuinely custom work — a full rebrand for an established company, large product ranges, multi-sub-brand systems — starts at 3,00,000 BDT. Half up front, half on delivery, and you approve the direction before I commit the full production.

See pricing in BDT

What's included

What you get when graphic design is built as a system

Every package is built to keep your brand consistent everywhere a customer in Dhaka actually sees it — not just one nice logo file.

01

Logo, done properly

Not one PNG. A primary logo, a horizontal version, an icon-only mark, light and dark variants, and the clear-space rules — so it sits correctly on a signboard, a favicon and a WhatsApp DP without looking squashed.

02

One colour system

A defined palette with exact HEX, RGB and CMYK values, so your Facebook ad, your printed flyer and your Gulshan shop sign are the same shade of your brand colour — not three near-misses the printer guessed at.

03

Social templates

Reusable post and story templates in your brand's type and colours, so your intern stops inventing a new layout every day. Your feed finally looks like one brand instead of a Canva scrapbook.

04

Print-ready files

Business cards, letterheads, packaging and menu artwork exported with bleed and CMYK, ready to hand straight to a press in Nilkhet or Fakirapool without the printer 'fixing' your colours for you.

05

Bangla + English lockups

Type that pairs Bangla and English without one looking like an afterthought. Cleanly rendered Bangla — not stretched Latin fonts faking it — so your name reads right to a Dhaka customer in either script.

06

A short brand guide

A practical one-document guide — logo use, colours, fonts, spacing — so the next designer, printer or marketer cannot quietly drift your brand back into a mess after I hand it over.

In focus

Why the cheap 'logo design' you see in Dhaka costs you more later

There is a reason a logo costs 1,000 taka from one seller and 50,000 BDT from a senior designer, and it is not greed. The 1,000 taka logo is a single export with no thinking behind it — usually a stock font typed in a clip-art icon, with no source file, no variations, and no colour values you can ever reproduce exactly.

The first time you try to put it on a packaging box, a vertical banner, or a small app icon, it breaks, and you are back paying someone to 'redo' it. Multiply that across business cards, social posts, a menu and a shopfront, and the cheap logo quietly becomes the most expensive thing you ever bought, because every single application costs you again.

Graphic design in Dhaka done as a one-off file is a false economy — what looks like 1,000 taka is really 1,000 taka, ten times, plus the cost of looking inconsistent to every customer in between.

What you pay a senior solo designer for is the system that makes everything after the logo cheap and consistent. When the palette is defined, your printer in Fakirapool does not guess. When the type scale is set, your intern's posts already look on-brand. When the logo ships with every variant, the next banner, box or app icon already has the right file waiting.

So when a Dhaka founder asks the inevitable 'graphic design dhaka bd te koto taka?' — the real answer is that 50,000 BDT spent once on a coherent identity is almost always less than the same brand rebuilt piecemeal over two years. I scope it honestly, you approve the direction before I produce the full set, and you walk away owning the source files outright — no holding your logo hostage, which, frankly, some shops in this city still do.

Investment

Pricing in BDT — no mystery.

Clear packages, fixed quotes, paid in BDT. Pick a starting point — I'll tailor the exact scope on a quick call.

Every project starts at ৳50,000

Starter

Starter Website

A sharp, credible site that makes the right first impression and brings enquiries.

50,000/ from
  • Up to 4 custom pages
  • Mobile-first responsive design
  • On-page SEO setup
  • Contact form + WhatsApp
  • Live in ~2 weeks
Get my quote

Books a 15-min call · fixed BDT quote · 50/50 · hosting extra

Ecommerce

Ecommerce Store

An online store built to sell and scale.

1,50,000/ from
  • Shopify or WooCommerce
  • Product, cart & checkout
  • bKash / SSLCOMMERZ + delivery
  • SEO-ready product pages
  • Launch QA + training
Get my quote

Books a 15-min call · fixed BDT quote · 50/50 · hosting extra

Design-approval guarantee. You approve the design first, and you only pay the second half once your site is live and you're happy.

Need something bigger? Custom & enterprise builds from ৳3,00,000. Pay by bKash, Nagad, bank transfer or card. Ask for an exact price or send an email.

Frequently asked

Straight answers before we build.

The questions that come up in nearly every first conversation about graphic design in Dhaka.

Graphic design in Dhaka — koto taka for a full brand identity?

Three clear tiers. 50,000 BDT for a core identity — primary logo with variants, colour palette, type system and basic social profile assets. 90,000 BDT adds full stationery, a set of reusable social templates and packaging or menu artwork. 1,50,000 BDT is a complete brand system with a written guideline document, multiple deliverable sets and Bangla/English lockups. Full rebrands for established companies or multi-sub-brand systems start at 3,00,000 BDT. Payment is 50% advance, 50% on delivery, by bKash, Nagad or bank transfer.

Can't I just get a logo for 1,000–2,000 taka somewhere else?

You can, and for a hobby project that is fine. But that price buys one exported file with no variants, no source file and no defined colours — so the first time you need it on packaging, a vertical banner or an app icon, it breaks and you pay again. I sell the system around the logo, which is what stops you paying for the same brand five times over the next two years.

Do you only do logos, or social media and packaging too?

All of it, and ideally together. Logo, colour and type are the foundation; social templates, business cards, packaging, menus, banners and brochures are built on top of that foundation so they all match. You can start at the 50,000 BDT identity tier and add social or packaging in a later phase — but doing them from the same system is what keeps your brand consistent.

Will the Bangla in my brand actually look right, not stretched?

Yes. I use proper Bangla typefaces and pair them deliberately with the Latin type — not a stretched English font pretending to be Bangla, which is unfortunately common. Bangla/English lockups are included on the 1,50,000 BDT tier and available as an add-on on the lower tiers, and the spacing and weight are set so both scripts read cleanly to a Dhaka customer.

Will the files print correctly at a press in Nilkhet or Fakirapool?

That is exactly what print-ready means here. Anything meant for print — cards, packaging, menus, banners — is exported in CMYK with proper bleed and the exact colour values defined in your palette. You hand the file straight to the press and the colour comes out as intended, instead of the printer guessing and 'adjusting' it into something off-brand.

Do I own the source files, and what if I dislike the direction?

You own everything — editable source files included, no holding your logo hostage. And the design-approval guarantee means I show you the direction on the core pieces first; I do not produce the full deliverable set until you have signed off in writing. If after a fair number of revisions we genuinely cannot agree on a direction, we stop there, you keep what is produced so far, and we both move on.

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