Logo design, done properly
Why most Dhaka logos look almost the same
Walk through Gulshan or Dhanmondi and you'll spot the pattern: a generic globe, a swoosh, a gradient, and a font someone downloaded for free. That's because most logo "design" here is a junior pulling a template off the internet and recolouring it for 5,000 taka. It works until you need it embroidered on a uniform, etched on a steel plate, or shrunk into a Facebook page profile photo - then it falls apart, because nobody designed it for the real world.
I do logo design in Dhaka the slow, deliberate way. Before I draw anything, I want to know what your business actually sells, who your competitors are, where this logo will physically live - shop signboard, packaging, invoice, app icon, delivery van - and what you never want it to be confused with. A logo isn't a picture you like. It's the one mark a customer has to recognise in a crowded market, often on a small, cheap phone screen.
Every concept I send is original. No stock marks, no AI-spat icons, no 'inspired by' another brand. You get a small set of real directions to choose from, then I refine the one you pick until it's right. When it's done, you own it outright - vector source files, colour codes for print and screen, black-and-white versions, and the spacing rules so whoever prints your signboard in Karwan Bazar doesn't stretch it sideways.
I'm one person, so you talk to the person actually drawing your logo - not an account manager relaying messages. That means honest feedback when an idea won't work, fast turnarounds, and no committee diluting the design into mush. Roughly five years of doing exactly this for Dhaka businesses who were tired of cheap work they had to redo.
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