A graphic design company in Rajshahi should not mean a print shop that opens Photoshop between banner orders. It should mean one designer who actually owns your brand.
I am RH Fardin — a senior solo designer working as a one-person graphic design company in Rajshahi for businesses that have stopped being okay with the press-counter look. Silk and handloom labels, mango and agro exporters, the cafes and restaurants near Saheb Bazar and Padma garden, the coaching centres and academies feeding off Rajshahi University and Rajshahi Medical: when your logo, packaging, menu and Facebook creatives all look like they came from three different people, buyers notice before they can explain why. I design the full identity myself — logo, brand system, packaging, print and social templates — from 50,000 BDT, 50% advance and 50% on launch, with every direction approved before final files ship.
Senior solo designer, ~5 years of BD brand and print work. Design-approval guarantee. Direct on WhatsApp — bKash, Nagad or bank transfer.
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The most common thing I hear from a Rajshahi business owner is some version of: "I have a logo, but everything looks different." The logo came from a cousin who knows a little design. The Facebook page cover came from a boosting guy. The product sticker came from whoever runs the press near New Market, and the visiting card from a different press because they were cheaper that week.
Each one is fine on its own and a complete mess together — different fonts, different blues, a stretched logo on half of them. That is not a design problem you fix with one more file. It is a brand problem, and it is exactly the gap a real graphic design company in Rajshahi is supposed to fill: one person deciding how your whole business looks, then making every single touchpoint obey that decision.
Rajshahi has its own design brief, and it is not Dhaka's. This is silk city and a campus city at the same time. A silk or handloom label is selling heritage and craft to a buyer who often sits in Dhaka or abroad — that brand has to feel premium and rooted, not like a clipart sticker slapped on a box.
A mango or agro exporter has a season measured in weeks; the packaging and the export catalogue have to be ready before the fruit is, and they have to convince a foreign importer who will never visit the orchard. Then there is the whole education economy — coaching centres, academies, hostels and the cafes around the university and the medical college — competing for the same students with the same boring posters.
Graphic design in Rajshahi BD that actually works starts from understanding which of these you are, because a silk label and a coaching centre do not get designed the same way.
When you hire me, you are not getting an agency where a salesman takes the brief and a junior you never meet does the work. I am the discovery conversation, the brand direction, the logo drawn from scratch in vector, the colour and type system, the packaging dieline, the print files set up so the press cannot ruin them, and the person who answers on WhatsApp when you need a festival creative by tomorrow. One senior operator, around five years deep in Bangladeshi brand and print work, one thread for the whole project. That single point of accountability is why the result is consistent — there is no second hand quietly reinterpreting your brand to clear a queue.
Pricing is fixed and honest. 50,000 BDT for a focused identity package — a proper logo in all formats, your colour and type system, and the core stationery (visiting card, letterhead, basic social templates). 90,000 BDT for a fuller brand kit adding packaging or label design, a menu or catalogue layout, and a set of social-post templates you can reuse all year.
1,50,000 BDT for a complete brand system with full packaging across a product range, signage artwork, and a brand guideline document so any printer in Rajshahi stays on-brand without me. Fully custom brand work — multi-product lines, export catalogues, full rollout — starts from 3,00,000 BDT. Always 50% advance, 50% on final delivery, via bKash, Nagad or bank transfer, and you approve the direction before I produce the final artwork.
Six things a serious Rajshahi business needs from graphic design — all six come standard from the 50,000 BDT identity package, not bolted on as surprise upsells.
Logo, card, packaging, menu and social posts all built from one system, so your business stops looking like four different shops made it. The same blue, the same font, the same logo everywhere — that consistency is what reads as a real brand.
Files set up properly for the press — CMYK, bleed, outlined fonts, correct dielines — so the press near New Market or Saheb Bazar cannot mangle your colours or stretch your logo. You get exactly what you approved, on paper.
For silk, mango and agro exporters: packaging and catalogue artwork that makes a foreign importer take you seriously, with clean layouts and your real product, not stock clipart. Premium where premium is what is being sold.
Your logo drawn in true vector, delivered in every file you will ever need — for a press banner, a tiny favicon, a stitched silk label or a WhatsApp profile. No more blurry PNG someone pulled off a Facebook cover.
The person reading your first WhatsApp message is the person drawing the logo and setting the print files. No salesman-to-junior handoff that loses how your business actually feels.
No final artwork ships until you sign off the direction. If the logo or packaging does not feel like your business, we fix it at the concept stage. You never pay the second half for work you did not approve.
Most graphic design in Rajshahi happens at a counter, sideways. You walk into a press for a banner, the operator opens a file, drags your logo to fit, swaps a font because the right one is not installed, picks a blue that is close enough, and prints. Multiply that by every order over two years — banners, cards, stickers, menus, festival posts — and you end up with a brand that has drifted into a dozen slightly different versions of itself.
No single file is the problem; the absence of anyone in charge is the problem. The press is paid to print fast, not to protect how your business looks, and it shows.
For a silk label trying to feel premium or an exporter trying to look credible to a buyer in Dhaka or Dubai, that drift is a quiet tax: the product is good, but the packaging and creatives make it look like a small, careless operation, and you lose the sale before anyone tastes the mango or touches the silk.
That is the lane I work in. I do one brand at a time. I look at what your business actually is — heritage silk, a fast-moving mango season, a coaching centre fighting for the next batch, a cafe that wants the campus crowd — and I build one system that makes every touchpoint pull in the same direction. The logo is drawn in vector so it is sharp on a stitched label and on a giant Saheb Bazar banner alike.
The colours are fixed as proper CMYK and hex values so the press and your Facebook posts finally match. The packaging is set up with real dielines so the box folds the way it is supposed to. And it all comes with a short brand guideline so the next time you walk into a press, you hand them rules instead of hoping.
Direction is approved before I produce final files, the price is locked at 50,000 BDT for the focused identity package, 50% on signing and 50% on delivery — no retainer trap, no vague monthly "design support" that is really a bill for nothing. If you want a graphic design company in Rajshahi that treats your brand as one thing instead of a stack of unrelated orders, that is exactly what one senior designer is for.
Clear packages, fixed quotes, paid in BDT. Pick a starting point — I'll tailor the exact scope on a quick call.
Every project starts at ৳50,000
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Need something bigger? Custom & enterprise builds from ৳3,00,000. Pay by bKash, Nagad, bank transfer or card. Ask for an exact price or send an email.
Straight answers to what Rajshahi business owners ask me on the first WhatsApp message.
My graphic design packages start at 50,000 BDT for a focused identity — a proper vector logo in every format, your colour and type system, and core stationery like visiting card, letterhead and basic social templates. 90,000 BDT adds packaging or label design, a menu or catalogue layout, and a reusable social-post template set. 1,50,000 BDT is a complete brand system with full packaging across a product range, signage artwork and a brand guideline document. Fully custom brand work starts from 3,00,000 BDT. Payment is always 50% advance, 50% on final delivery — bKash, Nagad or bank transfer. The price is for one senior designer owning the whole look, not a per-banner counter rate.
Because they are not selling the same thing. A 1,500-taka logo is usually a clipart icon next to a system font, handed to you as one low-resolution PNG with no source file — fine on that one banner, useless the moment you need it on a silk label, a favicon or a packaging box, and impossible to keep consistent anywhere else.
At 50,000 BDT you get an original logo drawn in true vector, a full colour and type system, every file format, and stationery built so your whole business looks like one brand instead of a dozen guesses. The press fee feels cheap because it solves one order; it quietly costs you every time your brand looks scattered after that.
Yes — for export-focused Rajshahi businesses this is most of the work. I design packaging and labels that make a foreign importer take you seriously, with clean premium layouts and your real product photographed properly, not stock clipart. For mango and agro exporters I build the export catalogue and any carton or box artwork early, because your season is short and the artwork has to be ready before the fruit is. Files are print-ready with correct dielines so an overseas or local printer cannot ruin them. Full packaging across a product range is standard from the 1,50,000 BDT tier.
They will work, because I set them up for the press, not for my screen. Every print file goes out in CMYK with proper bleed, fonts outlined so the press does not need them installed, and the correct dieline for whatever is being folded or cut. I can supply both editable and print-ready PDFs and walk your press through them on WhatsApp if needed. This is exactly the gap that causes counter disasters — wrong colours, swapped fonts, a stretched logo — and it is fixed by handing the press files they cannot misinterpret rather than hoping the operator gets it right.
Often, yes. If your existing logo is workable, I will rebuild it cleanly in vector and design everything else around it — colours, type, stationery, packaging and social templates — so the whole brand finally matches. If the logo is genuinely holding you back (clipart, illegible at small sizes, no source file), I will tell you honestly and quote redrawing it. I would rather rescue a logo you are attached to than charge you to replace something that works. I will look at what you have for free first and give you a straight answer either way.
You do not need to come anywhere. The whole project runs on WhatsApp and Google Meet — the brief, the direction sign-off, revisions and final delivery — and final files are sent digitally, ready to take to any press or printer you like. For bigger brand systems from 90,000 BDT I am happy to arrange an in-person kickoff or final review in Rajshahi if you prefer it face to face. I do not run weekly status meetings; you have a business to run, and one senior designer does not need a meeting to know where your project stands.
Grab a free 15-minute call and I'll show you exactly what your new website should do — and what it'll cost in BDT. No pitch, no pressure.
Grab a free 15-minute call, or send a message and I'll reply with the clearest next step.
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