A graphic design company in Rajshahi should not mean a print shop that opens Photoshop between banner orders. It should mean one designer who actually owns your brand.
I am RH Fardin, a senior solo designer who works as a one-person graphic design company in Rajshahi. I work with businesses that are done with the press-counter look. That includes silk and handloom labels, mango and agro exporters, and cafes near Saheb Bazar and Padma garden. It also includes coaching centres serving Rajshahi University and Rajshahi Medical. When your logo, packaging, menu and Facebook posts look like three different people made them, buyers notice.
Senior solo designer, about 5 years of BD brand and print work. Design-approval guarantee. Direct on WhatsApp, with bKash, Nagad or bank transfer. From 50,000 BDT, 50% advance and 50% on delivery.
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As a graphic design company in Rajshahi, I hear one line from owners more than any other. It goes like this: "I have a logo, but everything looks different". The logo came from a cousin who knows a little design. The Facebook cover came from a boosting guy. The product sticker came from the press near New Market. The visiting card came from another press because it was cheaper that week.
Each piece is fine on its own, but together they are a mess. The fonts differ, the blues differ, and the logo is stretched on half of them. One more file will not fix that. It is a brand problem, and it is the gap a real graphic design company should fill. One person decides how your whole business looks. Then every single touchpoint follows that decision.
Rajshahi has its own design brief, and it is not Dhaka's. This is a silk city and a campus city at the same time. A silk or handloom label sells heritage and craft, often to a buyer in Dhaka or abroad. That brand must feel premium and rooted, not like a clipart sticker on a box.
A mango or agro exporter has a season measured in weeks. The packaging and export catalogue must be ready before the fruit is. They also have to win over a foreign importer who will never visit the orchard. Then there is the education economy. Coaching centres, academies, hostels and cafes around the university and medical college all chase the same students with the same dull posters.
Graphic design in Rajshahi BD that works starts with knowing which of these you are. A silk label and a coaching centre do not get designed the same way.
When you hire me, no salesman takes the brief while a junior you never meet does the work. I run the discovery talk and set the brand direction. I draw the logo from scratch in vector and build the colour and type system. I make the packaging dieline and set up print files the press cannot ruin. I also answer on WhatsApp when you need a festival post by tomorrow.
You get one senior operator with about five years in Bangladeshi brand and print work, and one thread for the whole project. That single point of contact keeps the result consistent. No second person quietly changes your brand just to clear a queue.
Pricing is fixed and honest. 50,000 BDT buys a focused identity: a logo in all formats, your colour and type system and core stationery. 90,000 BDT adds packaging or labels, a menu or catalogue layout and reusable social templates. 1,50,000 BDT is a complete system with packaging across a range, signage and a brand guide any Rajshahi printer can follow. Fully custom work, like export catalogues and full rollout, starts from 3,00,000 BDT. You pay 50% upfront and 50% on final delivery, by bKash, Nagad or bank transfer.
A serious Rajshahi business needs six things from graphic design. All six come standard from the 50,000 BDT identity package. None is added later as a surprise upsell.
Your logo, card, packaging, menu and social posts all come from one system. Your business stops looking like four different shops made it. The same blue, the same font and the same logo show up everywhere. That consistency is what reads as a real brand.
I set up files properly for the press, with CMYK colour, bleed, outlined fonts and correct dielines. The press near New Market or Saheb Bazar cannot mangle your colours or stretch your logo. On paper, you get exactly what you approved.
Silk, mango and agro exporters get packaging and catalogue artwork that makes a foreign importer take them seriously. Layouts are clean and show your real product, not stock clipart. The design looks premium where premium is what you sell.
I draw your logo in true vector and deliver every file you will ever need. It works on a press banner, a tiny favicon, a stitched silk label or a WhatsApp profile. No more blurry PNG pulled off a Facebook cover.
The person who reads your first WhatsApp message is the person who draws the logo and sets the print files. There is no handoff from salesman to junior that loses how your business really feels.
No final artwork ships until you sign off on the direction. If the logo or packaging does not feel like your business, we fix it at the concept stage. You never pay the second half for work you did not approve.
Most graphic design in Rajshahi happens at a counter, almost by accident. You walk into a press for a banner. The operator opens a file and drags your logo to fit. He swaps a font because the right one is not installed. He picks a blue that is close enough, and he prints. Repeat that for two years of banners, cards, stickers, menus and festival posts. Your brand drifts into a dozen slightly different versions of itself.
No single file is the problem. The problem is that nobody is in charge. The press is paid to print fast, not to protect how your business looks, and it shows. Think of a silk label that wants to feel premium, or an exporter who must look credible to a buyer in Dhaka or Dubai. For them, that drift is a quiet tax. The product is good, but the packaging makes it look small and careless. You lose the sale before anyone tastes the mango or touches the silk.
That is the lane I work in, one brand at a time. I look at what your business really is. It might be heritage silk, a fast mango season, a coaching centre chasing the next batch or a cafe that wants the campus crowd. Then I build one system that pulls every touchpoint in the same direction. The vector logo stays sharp on a stitched label and on a giant Saheb Bazar banner. Fixed CMYK and hex values make the press and your Facebook posts finally match.
The packaging uses real dielines, so the box folds the way it should. A short brand guide comes with it, so you hand the next press rules instead of hoping. You approve the direction before I make final files. The focused identity package is locked at 50,000 BDT, 50% on signing and 50% on delivery. There is no retainer trap and no vague monthly "design support" bill. Want your brand treated as one thing? That is what one senior designer is for.
Clear packages, fixed quotes, paid in BDT. Pick a starting point. I'll tailor the exact scope on a quick call.
Every project starts at ৳50,000
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Here are straight answers to what Rajshahi business owners ask me in their first WhatsApp message.
My packages start at 50,000 BDT for a focused identity. That covers a vector logo in every format, your colour and type system, and core stationery like a visiting card, letterhead and social templates. 90,000 BDT adds packaging or labels, a menu or catalogue layout and reusable social templates. 1,50,000 BDT is a complete system with packaging across a range, signage and a brand guide. Fully custom brand work starts from 3,00,000 BDT. You pay 50% upfront and 50% on final delivery, by bKash, Nagad or bank transfer.
Because they are not selling the same thing. A 1,500-taka logo is usually a clipart icon next to a system font. You get one low-quality PNG with no source file. It works on that one banner, but fails on a silk label, a favicon or a box. At 50,000 BDT you get an original vector logo, a full colour and type system, every file format and matching stationery. The press fee feels cheap because it solves one order. But it costs you every time your brand looks scattered.
Yes. For export-focused Rajshahi businesses, this is most of the work. I design packaging and labels that make a foreign importer take you seriously. Layouts are clean and premium, and they show your real product, not stock clipart. For mango and agro exporters, I build the export catalogue and carton artwork early. Your season is short, so the artwork must be ready before the fruit is. Files come print-ready with correct dielines. Full packaging across a product range is standard from the 1,50,000 BDT tier.
They will work, because I set them up for the press, not for my screen. Every print file uses CMYK with proper bleed. Fonts are outlined, so the press does not need them installed. Each file has the right dieline for anything folded or cut. I can supply editable files and print-ready PDFs, and walk your press through them on WhatsApp. Counter disasters like wrong colours, swapped fonts and stretched logos come from unclear files. Clear files fix that, so you are not hoping the operator gets it right.
Often, yes. If your logo is workable, I rebuild it cleanly in vector. Then I design everything else around it: colours, type, stationery, packaging and social templates. The whole brand finally matches. If the logo is truly holding you back, I will say so honestly and quote a redraw. That might be clipart, a mark you cannot read at small sizes or one with no source file. I would rather save a logo you love than replace one that works. I look at what you have for free first.
You do not need to go anywhere. The whole project runs on WhatsApp and Google Meet. That includes the brief, the kickoff, the direction sign-off, revisions and final reviews. Final files arrive digitally, ready for any press or printer you like. Bigger brand systems from 90,000 BDT get a proper kickoff call and final review on Google Meet. I do not run weekly status meetings. You have a business to run, and one senior designer does not need a meeting to know where your project stands.
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